Here is a selection of the essays and reviews I have written
2023
Fay Weldon remembered, my thoughts on knowing Weldon and on her writing and feminism in The Guardian, January 2023
2022
The New Life by Tom Crewe, my review in The Guardian, December 2022
Euphoria by Elin Cullhead, my review in The Guardian, December 2022
‘Books bring us into being’: my essay on women reading and the bibliomemoir in The Guardian, August 2022
After Sappho by Selby Wynn Schwartz, my review in The Guardian, July 2022
Love and the Novel by Christina Lupton, my review in The Guardian, June 2022
Super-Infinite by Katherine Rundell, my review in The Guardian, April 2022
Violets by Kyung-sook Shin, my review in The Guardian, April 2022
Violets by Alex Hyde, my review in The Guardian, February 2022
2021
Mothers, Fathers and Others by Siri Hustvedt, my review in The Guardian, December 2021
Speak, Silence: In Search of W.G. Sebald by Carole Angier, my review in The TLS, November 2021
Inseparable by Simone de Beauvoir, my review in The New Republic, November 2021
‘The first pandemic novels have arrived but are we ready for them?’ my essay in The Guardian, November 2021
‘The life less ordinary of Laura Knight’, my preview of the Knight exhibition in The Guardian, October 2021
Burntcoat by Sarah Hall, my review in The Guardian, October 2021
Burning Man by Frances Wilson, my review in The New Republic, September 2021
The Sisters Mao by Gavin McCrea, my review in The Guardian, September 2021
On Freedom by Maggie Nelson, my review in The Guardian, September 2021
‘Up Close and Dangerous: the irresistable allure of D.H. Lawrence’, my essay on D.H. Lawrence in The Guardian, August 2021
Nightbitch by Rachel Yoder, my review in The Observer, July 2021
The Case of the Married Woman by Antonia Fraser, my review in The Guardian, May 2021
Cold New Climate by Isobel Wohl, my review in The Guardian, April 2021
Hot Stew by Fiona Mozley, my review in The Guardian, March 2021
Acts of Desperation by Megan Nolan, my review in The Guardian, March 2021
The Wild Track by Margaret Reynolds, my review in The Guardian, February 2021
The Art of Falling by Danielle McLaughlin, my review in The Guardian, January 2021
2020
Agent Sonya by Ben Macintyre, my review in The Guardian, September 2020
The Lying Life of Adults by Elena Ferrante, my review in The Guardian, August 2020
Love beyond sex, money and property: A case for friendship, my essay in The Guardian, July 2020
The Seduction by Joanna Briscoe, my review in The Guardian, May 2020
All About Sarah by Pauline Delabroy, my review in The Guardian, April 2020
My Meteorite by Harry Dodge, my review in The Guardian, April 2020
Inferno by Catherine Cho, my review in The Guardian, March 2020
The Voice in My Ear by Frances Leviston, my review in The Guardian, March 2020
Recollections of My Non-Existence by Rebecca Solnit, my review in The Guardian, March 2020
The struggle to depict pregnancy: my preview of the Portraying Pregnancy exhibition in The Guardian, February 2020
This Mournable Body by Tsitsi Dangarembga, my review in The Observer, January 2020
2019
‘We do not know each other’. My essay about Jewishness, histories and meeting my grandmother for the first time aged 26 in Granta, November 2019
Border Crossing: How translated fiction can open up the world. My essay in The Guardian, November 2019
Will and Testament by Vigdis Hjorth, my review in The Guardian, September 2019
Sontag: Her Life by Benjamin Moser, my review in The Guardian, September 2019
Becoming Beauvoir by Kate Kirkpatrick, my review in The Guardian, August 2019
Supper Club by Lara Williams, my review in The Guardian, August 2019
The Weil Conjectures by Karen Olsson, my review in The Guardian, August 2019
Trust Exercise by Susan Choi, my review in the Guardian, May 2019
Memories of the Future by Siri Hustvedt, my review in the TLS, April 2019
Some Kids I Taught and What They Taught Me by Kate Clanchy, my review in the Guardian, April 2019
Mother by Sarah Knott, my review in the Guardian, March 2019
Constellations by Sinead Gleeson, my review in the Guardian, March 2019
Deviation by Luce D’Eramo, my review in the Telegraph, February 2019
Dangerous Appetites: my essay on Dorothy Tanning in the Guardian, February 2019
Where Reasons End by Yiyun Li, my review in the Guardian, February 2019
Adele by Leila Slimani, my review in the Guardian, February 2019
If Ferrante is a Friend, Ginzburg is a mentor: my essay on Natalia Ginzburg in the Guardian, February 2019
2018
How free is free love? My essay on Modern Couples in the Guardian, November 2018
In Extremis by Lindsey Hilsum, my review in the Guardian, November 2018
Our Boys by Helen Parr, my review in Prospect, October 2018
Women Talking by Miriam Toews, my review in the Guardian, September 2018
Normal People by Sally Rooney, my review in the Spectator, September 2018
‘A different way of living: Why writers are celebrating middle-age’. My essay on literature and female middle-age in the Guardian, August 2018
Days of Awe by AM Homes, my review in the Observer, July 2018
OK, Mr Field by Katharine Kilalea, my review in the Guardian, July 2018
Motherhood by Sheila Heti, my review in the Guardian, June 2018
Kudos by Rachel Cusk, my review in the Times Literary Supplement, May 2018
Monsieur Ka by Vesna Goldsworthy, my review in the Guardian, April 2018
Upstate by James Wood, my review in the Guardian, March 2018
Maybe Esther by Katja Petrowskaja, my review in the Guardian, February 2018
‘The parent trap: Can you be a good writer and a good parent?’ My essay on literary motherhood in the Guardian, February 2018
Enemies Within by Richard Davenport-Hines, my review in the Guardian, January 2018
The Book of Joan by Lidia Yuknavitch, my review in the Guardian, January 2018
The Only Story by Julian Barnes, my review in the Spectator, January 2018
2017
Carrington’s Letters edited by Anne Chisholm, my review in the Financial Times, December 2017
‘As a God Might be’ by Neil Griffiths, my review in the Guardian, November 2017
‘Banned by the police: the true stories behind Modigliani’s languorous nudes’, my preview of the Tate Modigliani exhibition in the Guardian, November 2017
‘Mischka’s War’ by Sheila Fitzpatrick, my review in the Guardian, November 2017
‘The Ghost: A Cultural History’ by Susan Owens, my review in the Observer, October 2017
‘Kind of Blue: Making Sense of Melancholia’, my essay about literature, art and melancholia in the Financial Times, September 2017
‘Mayhem’ by Sigrid Rausing, my review in the Guardian, September 2017
‘My Absolute Darling’ by Gabriel Tallent, my review in the Guardian, August 2017
‘I Found My Tribe’ by Ruth Fitzmaurice, my review in the Observer, July 2017
‘In the Days of Rain’ by Rebecca Stott, my review in the Financial Times, July 2017
‘The Idiot’ by Elif Batuman, my review in the Guardian, June 2017
‘The Good Bohemian: The Letters of Ida John’, my review in the Guardian, June 2017
‘On the Edge of Madness: The Terrors and Genius of Alberto Giacometti’, my preview of the Tate exhibition in the Guardian, April 2017
‘The Blood Miracles’ by Lisa McInerney, my review in the Guardian, April 2017
‘M’ by Henry Hemming, my review in the Financial Times, April 2017
‘Four-minute Warning: Time to Boil Your Last Egg’ – 100 Years of Anti-War Protests, my preview of the Imperial War Museum exhibition in the Guardian, March 2017
‘Dear Friend, from My Life I Write to You in Your Life’ by Yiyun Li, my review for the Observer, March 2017
‘A Line Made by Walking’ by Sara Baume, my review for the Guardian, February 2017
‘Once Upon a Time in the East’ by Xiaolu Guo, my review in the Financial Times, January 2017
‘Future Sex’ by Emily Witt, my review in the Observer, January 2017
2016
‘The Golden Legend’ by Nadeem Aslam, my review in the Guardian, December 2016
‘Diary of a Wartime Affair’ by Doreen Bates, my review in the Guardian, December 2016
‘The Lesser Bohemians’ by Eimear McBride, my review in the Guardian, September 2016
‘The War on Women’ by Sue Lloyd-Roberts and ‘This is the Place to Be’ by Lara Pawson, my review in the TLS, October 2016
‘Flâneuse’ by Lauren Elkin, my review in the Guardian, August 2016
‘The Gardener and the Carpenter’ by Alison Gopnik, my review in the Guardian, August 2016
‘Britain’s War: Into Battle’ by Daniel Todman, my review in Prospect, August 2016
‘Behind the Wireless’ by Kate Murphy, my review in the TLS, July 2016
‘The Staircase Girls’ by Catherine Seymour, my review in the Guardian, July 2016
‘Imagine me Gone’ by Adam Haslett, my review in the Guardian, June 2016
‘Serious Sweet’ by AL Kennedy, my review in the Guardian, May 2016
‘The Argonauts’ by Maggie Nelson, my review in the Observer, March 2016
‘At the Existentialist Café’ by Sarah Bakewell, my review in the Guardian, March 2016
‘Cursed Legacy: The Tragic Life of Klaus Mann’ by Frederic Spotts, my review in the Observer, March 2016
‘Big books by blokes about battles’: Why is history still written by men? My response to this question in the Guardian, February 2016
‘The Value of the Novel’ by Peter Boxall, my review in the Guardian, January 2016
2015
‘The Dead Ladies Project’ by Jessa Crispin, my review in the Guardian, December 2015
‘Living on Paper: Letters from Iris Murdoch’, my review in the Telegraph, November 2015
‘Doris Lessing’s MI5 File: Was she a Threat to the State?’ My article about Doris Lessing’s MI5 files published in the Guardian, November 2015
Dietrich and Riefenstahl by Karin Wieland reviewed in the Literary Review, November 2015
The Witches: Salem, 1692 by Stacy Schiff reviewed in the Observer, November 2015
Noonday by Pat Barker reviewed in the Guardian, September 2015
A House in St John’s Wood by Matthew Spender reviewed in the Observer, August 2015
Villa America by Liza Klaussmann reviewed in the Guardian, April 2015
A Curious Friendship by Anna Thomasson reviewed in the Guardian, March 2015
Perfect Wives in Ideal Homes by Virginia Nicholson reviewed in the Observer, March 2015
The Bletchley Girls and The Debs of Bletchley Park reviewed in the Guardian, January 2015
In the Family Way by Jane Robinson reviewed in the Observer, January 2015
2014
The Young Lawrence by Anthony Sattin reviewed in the Observer, November 2014
‘Try the other wrist’, Tales of the 1940s by Werner Sollors reviewed in the London Review of Books, October 2014
Joan of Arc by Helen Castor reviewed in the Observer, October 2014
Modernity Britain by David Kynaston reviewed in the Observer, September 2014
Churchill’s Iceman by Henry Hemming reviewed in the Guardian, August 2014
Hotel Florida by Amanda Vaill reviewed in the Observer, April 2014
Four Sisters by Helen Rappaport reviewed in the Observer, March 2014
Mrs Hemingway by Naomi Wood reviewed in the Guardian, February 2014
Those Wild Wyndhams by Claudia Renton reviewed in the Observer, February 2014